Madlener House
4 West Burton Place
Chicago, Illinois 60610
Telephone: 312.787.4071
info@grahamfoundation.org
As part of our continuing collaboration with Northwestern University's Department of Art Theory and Practice, the Graham is pleased to host Joshua Simon, who will present The Kids Want Communism, a yearlong program of exhibitions marking 99 years since the October Revolution, which he initiated in collaboration with State of Concept Athens, Free/Slow University of Warsaw, Tranzit Prague, Skuc gallery in Ljubljana, the Visual Culture Research Center in Kiev, and MoBY-Museums of Bat Yam. The talk will outline how the communist horizon and real existing socialism can inform our understanding of the current social and cultural, political, and economic realities we are facing with the implosion of the neoliberal order. Simon's research in the past several years has been focused on notions of materiality and subjectivity, therefore, this talk will move between animism and productivism, commodity fetish and debt economy, double negation and metabolism, shock work and the dividual.
Joshua Simon is director and chief curator at MoBY-Museums of Bat Yam, as well as a co-founding editor of the Tel Aviv-Jaffa based Maayan publishing. He is the author of Neomaterialism (Sternberg Press, 2013), and editor of Ruti Sela: For The Record (Archive Books, 2015). Recent curatorial projects include: Factory Fetish at Westspace, Melbourne, co-curated with Liang Luscombe in 2015; Roee Rosen: Group Exhibition at the Tel Aviv Museum of Art, co-curated with Gilad Melzer in 2016; and The Kids Want Communism at MoBY in 2016. From 2011-2013, he was a Vera List Center for Art and Politics fellow.
This lecture is part of the Department of Art Theory and Practice at Northwestern University Visiting Artist Lecture Series, and is made possible with generous support from The Myers Foundations and the Jerrold Loebl Fund for the arts.
Image: El Lissitzky, Poster for the Russian Exhibition (Russische Ausstellung), Kunstgewerbemuseum Zürich, March 24- April 28, 1929.
The Graham would like to thank Perrier for supporting our public programs.
The Graham Foundation Bookshop is pleased to host the release of the fourth issue of Prescriptions, a quarterly zine edited by Ann Lui and Craig Reshke of Chicago-based architecture office Future Firm. The latest issue features a conversation with design technology specialist Andrew Heumann, focusing on the role of computation in professional and aesthetic practices.
To celebrate the release, join us for a reception and a discussion in the bookshop between Future Firm and Heumann. Past issues of the zine will be available for purchase alongside issue four, as well as a selection of related publications.
The title, Prescriptions, suggests that architectural practice may need some corrective medication. The zine features one interview per issue with builders of all kinds on their beginnings and futures. Topics in issue four include the emergence of a "coding class," democratic access to parametric design, C-3PO, computational camps and cultures, and the intersections of algorithms with governance.
Visit rx-mag.com to learn more about Prescriptions.
As a design technology specialist at Woods Bagot, Andrew Heumann develops custom tools and workflows for design teams across the firm. Formerly the leader of NBBJ’s design computation team, he has written more than fifteen plug-ins for 3D modeling tools (“Human,” the most popular, has had more than 20,000 downloads) and created many bespoke tools for design teams and practices, aiding in the management of project metrics, environmental and urban analysis, and façade design. Outside of his professional work, Heumann is a generative artist, working with data, algorithms, geometry, and pixels to create rich visual abstractions that engage and challenge the limits and affordances of digital media. He is trained in both architecture and computer science, and has lectured and taught seminars at Cornell University, Yale University, California College of the Arts, and the University of Washington. His work has been published in Wallpaper magazine, CLOG journal, and presented at conferences including ACADIA, SIMAUD, Autodesk University, and the AEC Technology Symposium.
Ann Lui is an assistant professor of architecture/interior architecture at the School of the Art Institute of Chicago. She holds an SMArchS from MIT in history, theory, and criticism and a BArch from Cornell University, where she was awarded the Charles Goodwin Sands Medal and the Clifton Beckwith Brown Memorial Medal. Previously, she practiced at SOM, Ann Beha Architects, and Morphosis. Lui was assistant editor of OfficeUS Atlas (2015) and coeditor of Thresholds, "Scandalous" (2015).
Craig Reschke is an architect interested in landscape practices. He is a registered architect in the state of Illinois. He graduated from Harvard's Graduate School of Design, where his research focused on rural American landscapes, and he graduated with the Jacob Weidenmann Prize. He also holds a BArch from the University of Tennessee. Previously, Reschke was a project architect at SOM and RODE Architects, where he led the design of buildings at many scales.
Future Firm is a Chicago-based architecture office interested in the intersections between landscape territories and architectural spectacle. Recent research explores the relationship between finance, economy, and the built environment.
The art duo MSHR premieres Macro Synthetic Helio Resistor, a quadraphonic performance involving their new Boolean logic chip-based analog modular synthesizers in a feedback system with lasers, strobes and incandescent lights.
MSHR is the collaborative project of Birch Cooper (b.1985) and Brenna Murphy (b.1986, Edmonds, Wash.). Cooper and Murphy build and explore systems to reveal pathways toward ecstatic sensory experience. They work at the intersection of digital sculpture, analog circuitry and ceremonial performance. Their physical projects have largely revolved around analog light-audio feedback systems built from macro-arrangements of their sculptural synthesizers. On the virtual side, they weave computer generated portraits of inter-dimensional entities and psychedelic realms.
MSHR emerged from the five-person art collective Oregon Painting Society in 2011 and has since exhibited and performed at Upfor, Portland; Kunsthaus Langenthal; Postmasters Gallery, NYC; Musee des Artes Creteil; Cell Projects, London; Transmediale, Berlin; TBA, Portland; Yerba Buena Center, San Francisco; The Peckham Pavilion, 53rd Venice Biennale; Kunstverein Dusseldorf; Three Walls, Chicago; Western Front, Vancouver; American Medium, NYC; Appendix Project Space, Portland; Le Dictateur, Milan. They were 2014 artists-in-residence at Eyebeam and are currently artists in residence at Pioneer Works.
Brenna Murphy made her Chicago debut in September 2012, when she presented a new live performance entitled SkyFace~TextureMappr and a collection of video works for Lampo and Conversations at the Edge.
This performance is presented in partnership with Lampo. Founded in 1997, Lampo is a non-profit organization for experimental music and intermedia projects.
Please join us for a reception and talk by curator Mark Waisuta to celebrate the opening of our new exhibition, Every Building in Baghdad: The Rifat Chadirji Archives at the Arab Image Foundation.
Thursday, September 15
6pm: Talk by Mark Wasiuta
6:30-8pm: Opening Reception
Mark Wasiuta is a curator, writer, and architect who teaches at GSAPP, Columbia University where he is Co-Director of the MS degree program Critical, Curatorial, and Conceptual Practices in Architecture. Over the last decade, as Director of Exhibitions at GSAPP, he has developed a body of research and archival exhibitions that focus on underexamined practices of the postwar period. Recent exhibitions, produced with various collaborators, include, Control Syntax Rio at Het Nieuwe Instituut, Environmental Communications: Contact High at the Chicago Architecture Biennial La Fine Del Mondo, at the 14th International Architecture Exhibition at the Venice Biennale, as well as Information Fall-Out: Buckminster Fuller’s World Game, and Les Levine: Bio-Tech Rehearsals 1967–1973 at the Arthur Ross Architecture Gallery. He is co-editor and co-author of Dan Graham’s New Jersey. Forthcoming projects include the exhibitions, Detox USA, at the 3rd Istanbul Design Biennial and the publications, Documentary Remains, Environmental Communications: Contact High, and Collecting Architecture Territories. He is partner in the design and research office the International House of Architecture.
The Graham would like to thank Perrier for supporting our public programs.
For more information on the exhibition, Every Building in Baghdad: The Rifat Chadirji Archives at the Arab Image Foundation, click here.
Please join the Graham Foundation for its inaugural Bookshop Summer Sale beginning August 6th, 2016 with a day of refreshments, music, and special discounts. The sale will run through August 13th, 2016 ending on the final day of our current exhibition, The Flesh Is Yours, The Bones Are Ours. Don't miss the unprecedented deals or your last chance to view the work of Michael Rakowitz installed in the Madlener House galleries—select titles up to 50% off.
The Graham Foundation Bookshop offers a selection of publications produced by the Foundation's grantees and titles related to our public programming, as well as new, historically significant, and rare publications on architecture, urbanism, art, and related fields. The bookshop carries monographs, exhibition catalogues, research, and theory-based titles from a range of publishers such as Sternberg Press, Lars Müller, Soberscove, Primary Information, Hatje Cantz, Architectural Association Publishers, Columbia GSAPP, MIT Press, Princeton Architectural, San Rocco, MAS Context, and many more.
Gallery and Bookshop Hours:
Wednesday–Saturday, 12–5 p.m.
CONTACT
312.787.4071
info@grahamfoundation.org
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