Against the backdrop of the escalating climate crisis, social inequity, and political polarization, the failures of governments or markets to provide even access to resources and opportunities is leading citizens worldwide to take matters into their own hands—self-organizing by pooling resources and claiming their collective right to the city. The creative insights emerging from these practices of commoning offer an entry point for refuting the neoliberal mantra “there is no alternative,” and spurrs the imagination of another possible world. This talk asks many questions, including: What impact can commoning have on the bottom-up transformation of cities? And what agency do designers have in contributing to such commons transition?

Stefan Gruber is an associate professor in architecture and urbanism at Carnegie Mellon University, where he directs the master of urban design program. His work spans design-built projects, and interventions in public space, urban design, and research with a particular focus on spatial practices and the political as articulated through the negotiation of top-down planning and bottom-up transformations of cities. Most recently, Gruber guest-edited ARCH+ magazine 232: An Atlas of Commoning and cocurated the eponymous travelling exhibition. Previous books include Spaces of Commoning (Sternberg, 2016), Big! Bad? Modern (Park Books, 2015) and Vienna: Slow Capital (Academy of Fine Arts Vienna, 2011). Gruber founded STUDIOGRUBER in 2006 after working with Diller, Scofidio + Renfro. His research and design work has been published and exhibited internationally and supported by the Graham Foundation, and fellowships from Margarete Schütte-Lihotzky and Akademie Schloss Solitude, among others.

Image: The travelling ifa-exhibition An Atlas of Commoning on display at the Kunstraum Kreuzberg/Bethaninen in Berlin. Photo:  © Sebastian Schels

For more information on the exhibition, Tatiana Bilbao Estudio: Unraveling Modern Living, click here.

Twisting recycled fabrics into giant yarns, we will create a macro-weaving, using our bodies to create a multi-person-human-loom, transforming weaving into a participatory game that zooms in on the over-under of woven cloth. This workshop is recommended for children 5 and older.

The Weaving Mill is an experimental weaving studio in Chicago’s Humboldt Park that blends design, fine art, textile education, and research-based practice.

For more information on the exhibition, Tatiana Bilbao Estudio: Unraveling Modern Living, click here.

Author and Midewin volunteer Arthur Pearson and Midewin Archaeologist, Tribal Liaison and Heritage Program Manager Joe Wheeler will share the history of Midewin and lead a conversation about prairie connections in the built and natural environments.

United States Department of Agriculture (USDA) Forest Service International Programs & USDA Forest Service—Midewin National Tallgrass Prairie is the first of its kind in the country. Midewin represents a major effort to restore 20,000 acres of farm and industrial land to a unique American landscape and the complex ecology of the prairie. It is the largest open space in the Chicago metropolitan area and northeastern Illinois and the largest tallgrass prairie restoration effort east of the Mississippi River.

Arthur Melville Pearson is the former Director, Chicago Program for the Gaylord and Dorothy Donnelley Foundation, where he guided investments in land conservation, the arts and collections. He is the author of Force of Nature (University of Wisconsin Press, 2017) an award-winning biography of George Fell, founder of The Nature Conservancy and the Illinois Nature Preserves Commission. A long-time volunteer at Midewin, Arthur is currently writing a book-length history of Midewin, entitled, A Midewin Almanac.

Joseph Wheeler is the Prairie Archaeologist, Heritage Program Manager and Tribal Liaison at the USDA Forest Service - Midewin National Tallgrass Prairie. Before coming to Midewin in 2013 he was a field archaeologist based out of the Forest Service’s Rocky Mountain region, working throughout the West and Southwest United States. He attended graduate school in Anthropology, specializing in Archaeology, at the University of Wyoming and holds a BA from Loyola University of Chicago.

Image: Grant Creek at Midewin National Tallgrass Prairie. Photo: Bill Glass

Building upon 25 years of teaching the power of design to tackle social, cultural, and environmental challenges in Chicago, Archeworks—a free alternative school founded by Stanley Tigerman and Eva Maddox—hosts a conversation with local practitioners to define new opportunities around the idea of collectivity in the city. Join local practitioners for a discussion addressing topics close to the institution’s mission such as universal design and accessibility to community health, local food systems, and sustainable land use.

Archeworks mission is to use the power of design to challenge social, cultural and environmental challenges in Chicago. Founded in 1994 by architect Stanley Tigerman and designer Eva Maddox, Archeworks has collaborated with over 80 partners and completed more than 80 design projects in communities throughout Chicago. Past partners include community organizations, urban farms, advocacy groups, healthcare organizations, schools, municipalities, and cultural institutions. These collaborative design projects have addressed subjects ranging from universal design and accessibility to community health, local food systems, and sustainable land use.

Image: Thomas Chiu, Good City Group, The Last Mile, 2015, Chicago. Courtesy of Archeworks.

For more information on the exhibition, Tatiana Bilbao Estudio: Unraveling Modern Living, click here.

You could say that pretty much anything Roc does is a direct homage to the history of house music, but this new audiovisual piece for Lampo and the Graham Foundation is an explicit tribute to the legacy of early Chicago house. Wonky bass lines and drum patterns get continuously bent, flexed and contracted in unexpected ways.

Six Hexaflexagons for Chicago is his weird love letter to the tracks, producers and sounds that shaped dance music, turned into a stream of awkward locked grooves and algorithmically-churned acid motifs.

Roc Jiménez de Cisneros (b.1975, Barcelona) is part of the computer music group EVOL together with Scottish artist Stephen Sharp. Their work considers processes of deformation applied to post-acid house culture. Their recordings have been published by record labels such as Diagonal, Editions Mego, Presto!?, iDEAL, Hypermedium and others. Much of Roc’s work is rooted in an interpretation of music in morphological terms: mutated forms, spatial relationships and elasticity, both in a metaphorical sense and a literal one. Since 2013 he has been pushing this spatial-material approach to music in different ways, originally drawing connections between holes and music, then extending that to folds and folding, to produce a series of pieces, talks, light installations and publications that propose a reevaluation of musical phenomena as volumetric and topological structures.

Roc Jiménez de Cisneros has presented his work twice before in the Lampo series. Performing as EVOL in February 2016, he premiered Opus17aSlimeVariation#8—a reinterpretation of Hanne Darboven’s Opus 17a. In October 2011, he played a new four-channel work for computer and hand-held air horns, titled Tetralemma + Tetrafluoroethane.

Since 2010 the Graham Foundation has supported and partnered with Lampo to produce this performance series held at the Madlener House. Lampo, founded in 1997, is a non-profit organization for experimental music and intermedia projects.

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